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	<title>Poor Farm</title>
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		<title>The Poor Farm at NADA Cologne</title>
		<link>http://poorfarmexperiment.org/2012/02/the-poor-farm-at-nada-cologne/</link>
		<comments>http://poorfarmexperiment.org/2012/02/the-poor-farm-at-nada-cologne/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 14:59:05 +0000</pubDate>
		<dc:creator>Poor Farm</dc:creator>
				<category><![CDATA[General]]></category>

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		<description><![CDATA[The Poor Farm will present Guillaume Leblon at NADA COLOGNE April 18-22, 2012 Hall 11, Cologne-Deutz Exhibition Centre Koelnmesse GmbH Messeplatz 1 Cologne 50679 Germany]]></description>
			<content:encoded><![CDATA[<p>The Poor Farm will present Guillaume Leblon at NADA COLOGNE<br />
April 18-22, 2012<br />
Hall 11, Cologne-Deutz Exhibition Centre<br />
Koelnmesse GmbH<br />
Messeplatz 1<br />
Cologne 50679<br />
Germany</p>
<p><img src="http://poorfarmexperiment.org/wp-content/uploads/2012/02/guilaume-koln-300x199.jpg" alt="" title="guilaume koln" width="300" height="199" class="alignnone size-medium wp-image-492" /></p>
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		<title>http://art.newcity.com/2011/08/23/eye-exam-a-summer-at-the-poor-farm/</title>
		<link>http://poorfarmexperiment.org/2011/08/httpart-newcity-com20110823eye-exam-a-summer-at-the-poor-farm/</link>
		<comments>http://poorfarmexperiment.org/2011/08/httpart-newcity-com20110823eye-exam-a-summer-at-the-poor-farm/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 15:23:56 +0000</pubDate>
		<dc:creator>Poor Farm</dc:creator>
				<category><![CDATA[General]]></category>

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		<item>
		<title>TV Commercial for The Poor Farm</title>
		<link>http://poorfarmexperiment.org/2011/07/tv-commercial-for-the-poor-farm/</link>
		<comments>http://poorfarmexperiment.org/2011/07/tv-commercial-for-the-poor-farm/#comments</comments>
		<pubDate>Fri, 15 Jul 2011 08:27:58 +0000</pubDate>
		<dc:creator>Poor Farm</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://poorfarmexperiment.org/?p=324</guid>
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		<item>
		<title>PROGRAM &#124; GREAT POOR FARM EXPERIMENT III &#8211; SUMMER 2011</title>
		<link>http://poorfarmexperiment.org/2011/07/great-poor-farm-experiment-iii-summer-2011/</link>
		<comments>http://poorfarmexperiment.org/2011/07/great-poor-farm-experiment-iii-summer-2011/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 18:31:55 +0000</pubDate>
		<dc:creator>Poor Farm</dc:creator>
				<category><![CDATA[PROGRAM]]></category>

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		<description><![CDATA[SUMMER 2011 / August 5, 6, 7, 2011 Guillaume Leblon (Paris, France), Chris Sperandio (Houston, TX) + Simon Grennan (UK), David Dunlap (Iowa City) + Bruce Tapola (St. Paul, MN), Yvette Brackman (Copenhagen, Denmark), Simon Ingram (Auckland, New Zealand), Duncan MacKenzie (Chicago, IL) + Christian Kuras (London, UK), Lily Cox-Richard (Ann Arbor, MI), Keil Borrman [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://poorfarmexperiment.org/2011/07/great-poor-farm-experiment-iii-summer-2011/"><img class="alignleft size-large wp-image-393" title="Poor Farm | Summer Program 2011" src="http://poorfarmexperiment.org/wp-content/uploads/2011/07/2011-630x492.jpg" alt="" width="630" height="492" /></a></p>
<p><strong>SUMMER 2011 / August 5, 6, 7, 2011</strong><strong> </strong></p>
<p><strong>Guillaume Leblon</strong> (Paris, France), <strong>Chris Sperandio</strong> (Houston, TX) <strong>+</strong><strong> Simon Grennan</strong> (UK),<strong> David Dunlap</strong> (Iowa City) <strong>+ Bruce Tapola</strong> (St. Paul, MN), <strong>Yvette Brackman</strong> (Copenhagen, Denmark), <strong>Simon Ingram</strong> (Auckland, New Zealand), <strong>Duncan MacKenzie</strong> (Chicago, IL) <strong>+ Christian Kuras</strong> (London, UK), <strong>Lily Cox-Richard</strong> (Ann Arbor, MI)<strong>, Keil Borrman</strong> (New York), <strong>Diego Leclery </strong>(Chicago), <strong>Richard Galling + John Riepenhoff</strong> (Milwaukee), <strong>Tyson Reeder + Scott</strong><strong> Reeder</strong> (Chicago), <strong>Stephen Perkins</strong> (Green Bay), <strong>Aliza Nisenbaum</strong> (New York), <strong>Deirdre O’Dwyer</strong> (New York), <strong>+ Kelly Williams</strong> (Nashville) <strong>Peter</strong><strong> Barrickman, Celeste Verhelst, Perre Kerch, Xav Leplae + friends</strong> (Milwaukee),                <strong>Alexander Herzog </strong>(Chicago)<strong>, Rose DiSalvo </strong>(Chicago)<strong>, Alex Jovanovich </strong>(New York)<strong> + Nicole Perez </strong>(Chicago),<strong> Aaron Van Dyke</strong> (Minneapolis) <strong>+ Summer School</strong><strong>.</strong></p>
<p>&nbsp;</p>
<p><strong>Performance by Yvette Brackman:</strong></p>
<p>Friday, August 5 at 8:00pm</p>
<p>Sunday, August 7 at 12 noon</p>
<p><strong>Film Screen by Scott and Tyson Reeder:</strong></p>
<p>Saturday, August 6, evening</p>
<p><strong>Lazy River, Show Me Your Rafts:</strong></p>
<p>Sunday, August 7, afternoon<strong><br />
</strong></p>
<p>&nbsp;</p>
<p><strong>PROJECTS:</strong></p>
<p><strong>Guillaume Leblon</strong> (Paris, France)<br />
Guillaume’s project will engage the vast first floor of the Poor Farm.<br />
His constructions engage an elastic reality by juxtaposing different<br />
dimensional scales in the same space while allowing narrative links to<br />
connect one work with another.</p>
<p>Guillaume Leblon was born in 1971 in Lille (France). He graduated from<br />
the École des Beaux-arts in Lyon. He was in residence at the<br />
International Studio &amp; Curatorial Program in New York (2008), at the<br />
Rijksakademie in Amsterdam (1999-2000) and was awarded the Altadis<br />
Price in 2005. He lives and works in Paris. His recent projects<br />
include solo exhibitions at Mudam (Luxembourg), at the Centro Galego<br />
de Arte Contemporánea (Santiago de Compostela, Spain), at STUK<br />
Kunstcentrum (Leuven, Belgium), at the centre d’art contemporain<br />
Domaine de Kerguéhennec (Bignan, France) and at the Kunstverein für<br />
die Rheinlande und Westfalen (Düsseldorf, Germany).<br />
<a href="http://guillaumeleblon.com/" target="_blank">http://guillaumeleblon.com/</a><br />
<a href="http://www.castillocorrales.fr/galerie/index.php/Currently" target="_blank">http://www.castillocorrales.fr/galerie/index.php/Currently</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Fields of Dream | Simon Grennan </strong>(UK)<strong> + Christopher Sperandio </strong>(Houston)<br />
<em><strong> </strong></em>Aging, enfants terrible collaborators find the middle of life: tired,<br />
searching for renewed vigor in the bucolic farmland of Wisconsin.<br />
Look, up at the clouds and imagine: translating the funny and strange<br />
shapes into new drawings for a poor farm.</p>
<p>Christopher Sperandio&#8217;s collaborative artwork with British artist<br />
Simon Grennan explores the numerous margins between mass and museum<br />
cultures. Sperandio&#8217;s work takes a variety of forms including comics<br />
and books, games, temporary sculptures, painted installations, and<br />
digital media. These artworks almost always, although not this time,<br />
involve public participation, in the form of open calls, canvassing,<br />
and workshops.<br />
<a href="http://www.kartoonkings.com/" target="_blank">http://www.kartoonkings.com/</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>The Catalyst | </strong><strong>Yvette Brackman</strong> (Copenhagen)<br />
<strong> </strong>The Catalyst is a performance that engages the audience in reenacting<br />
a story about negotiations between an indigenous community and a<br />
global production company in Russia. There are six roles and a chorus<br />
that are amalgamated into a stream of numbered cues revealing at times<br />
antagonistic points of view. The audience is set in an installation<br />
and given numbered cue cards and together creates The Catalyst<br />
performance.</p>
<p>Yvette Brackman is an American artist and writer who lives in Denmark.<br />
Her work often draws upon the history of the Soviet Union from which<br />
her family immigrated in 1959. Brackman’s art evokes Russian<br />
Constructivism, a revolutionary art movement that originated around<br />
1919 and saw art as a practice directed towards social purposes.<br />
Brackman’s artistic output includes creating platforms for<br />
distribution and exchange with a performative character. In these<br />
works she engages audiences and communities in exploring issues of<br />
common responsibility and social relations. Her artwork draws upon<br />
various mediums of expression in which she uses a combination of<br />
crafted elements and time-based media to create narratives that unfold<br />
in space. From 2000-2007 Brackman held a professorship at The Royal<br />
Danish Academy of Fine Arts in Copenhagen where she also chaired the<br />
Department of Walls and Space. Brackman received her Bachelor in Fine<br />
Arts from The Art Institute of Chicago and two Masters Degrees in Fine<br />
Art and Art History with a minor in Women’s Studies from the<br />
University of Illinois at Chicago.<br />
<a href="http://www.yvettebrackman.info/Details.html" target="_blank">http://www.yvettebrackman.info/Details.html</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Bunker/Repository FALL 2011 | Keil Borrman</strong> (New York)<br />
The installation will eventually hold preserved foods made in collaboration<br />
with farmers local to the Poor Farm, Upstate New York and Long Island, a<br />
seed library and facilities for fermenting Soy Beans into Miso and cabbage into Kimchi.<br />
In preparing the 2nd phase of construction 5 gallons of Kimchi that<br />
have been fermenting 10 feet underground for the past year will be<br />
exhumed and prepared with pork from Upstate New York for a feast<br />
honoring those helping with the execution of phase II</p>
<p>Keil Borrman lives and works out of Bushwick Brooklyn although these<br />
days he is spending more and more time in Sullivan County New York. He<br />
is currently developing long-term projects with several organizations<br />
sited outside of New York City. These projects seek to force the art<br />
world to confront it&#8217;s short comings in the development of critical<br />
practices while making use of and supporting the networks of mutual<br />
interest that have developed between small farmers working in<br />
opposition to the larger agricultural industry in the United States.<br />
<a href="http://keilborrman.blogspot.com/" target="_blank">http://keilborrman.blogspot.com/</a><br />
<strong> </strong></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Summer Blockbuster | Tyson Reeder + Scott Reeder</strong> (Chicago)<br />
A scripted narrative video project completed in three days, ending<br />
with an outdoor premiere screening on August 7th. Participants will<br />
assume different roles in this short-hand movie making blitz,<br />
including writing, location scouting, costume/prop making, acting,<br />
shooting, making soundtracks and editing.</p>
<p>Tyson Reeder and Scott Reeder are professors of Painting and Drawing<br />
at SAIC. Both are represented by Daniel Reich gallery in NYC and have<br />
been involved in numerous curatorial projects, including The Early<br />
Show at White Columns, NY, Dark Fair at Kolnischer Kunstverein,<br />
Cologne, and Club Nutz at Frieze, London, and the Museum of<br />
Contemporary Art, Chicago.<br />
<a href="http://clubnutz.biz/" target="_blank">http://clubnutz.biz/</a><br />
<strong> </strong></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Aaron Van Dyke + Summer School</strong> (Minneapolis, St Paul)<br />
Summer school is a gathering of artists (students, recent graduates<br />
and teachers) gathering together for a dialog on art making. This<br />
happens both formally and informally, in small and large groups.<br />
Summer school aims to be somewhat of an antidote to the shortcomings<br />
of formal education, stressing openness, experimental forms of<br />
educations and educational and artistic agency. Van Dyke will also be<br />
curating the GPFE III video program.</p>
<p>Aaron Van Dyke is just another desperate artist living, teaching and<br />
working in Minneapolis.<br />
<a href="http://www.aaronvandyke.net/index_summer_school.html" target="_blank">http://www.aaronvandyke.net/index_summer_school.html</a></p>
<p><strong> </strong>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Very Low Frequency Painting | Simon Ingram</strong> (Auckland)<br />
Simon Ingram works with painting, machines and radio. Recent work has<br />
centered on painting using custom built machines programmed with<br />
techniques of self-making derived from artificial life. In Very Low<br />
Frequency Painting the attention is turned outward and upward with the<br />
help of a radio telescope painting machine that listens in to very low<br />
frequency (VLF) radio signal that propagates in the upper atmosphere.</p>
<p>Simon Ingram lives in Auckland, New Zealand. Over the last four years<br />
he has exhibited at CCNOA and The Kunstverein Medienturm (Europe), PS1/<br />
MoMA, Pulse Contemporary Art Fair, The Suburban (USA); The Adam Art<br />
Gallery, The Auckland Art Gallery, Dunedin Public Art Gallery and Gow<br />
Langsford Gallery (NZ). He is represented by Gow Langsford Gallery and<br />
teaches at The University of Auckland. Simon Ingram wishes to acknowledge<br />
the support of Elam School of Fine Arts at the University of Auckland, New Zealand.<br />
<a href="http://www.minusspace.com/2011/04/simon-ingram-radio-paintings-gow-langsford -gallery-auckland-new-zealand/" target="_blank">http://www.minusspace.com/2011/04/simon-ingram-radio-paintings-gow-langsford<br />
-gallery-auckland-new-zealand/</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>The Document | Diego Leclery</strong> (Chicago)<br />
Leclery will present The Document, an open play with no set actors or<br />
fixed roles.  The Document tells the story of journey as is becomes a<br />
journey and stops being just an activity.  The play will meander the<br />
grounds of the Poor Farm and can be performed by any two individuals<br />
as they wish, at any time of day or night.</p>
<p>Diego Leclery was born near Paris, France, in 1978 and has lived much<br />
of his life in Brazil and the US.  He currently resides in Chicago<br />
where he teaches painting and drawing at the School of the Art<br />
Institute of Chicago.  Leclery is a founding member and co-director of<br />
Julius Caesar, an artist-run space in East Garfield Park Chicago.  He<br />
is the on-again off-again editor of bdbbdb, a pdf magazine of art,<br />
criticism, theory, and literature.  Leclery holds an MFA from the<br />
School of the Art Institute of Chicago and has exhibited in many of<br />
Chicago&#8217;s alternative spaces, including The Suburban, Monument2,<br />
Zrobili, Alogon, New York City &#8211; Gold Coast, and many more.<br />
<a href="http://diegoleclery.com/bio.html" target="_blank">http://diegoleclery.com/bio.html</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Lily Cox-Richard</strong> (Ann Arbor)<br />
Lily Cox-Richard will create new work for the Poor Farm’s Cemetery,<br />
exploring sculpture’s capacity for commemoration, with attention to<br />
what lies beneath it.</p>
<p>Lily is a sculptor currently based in Ann Arbor, MI, where she is a<br />
fellow in the University of Michigan’s Society of Fellows. She has<br />
exhibited her work at Kompact Living Space, Berlin; AREA Gallery,<br />
Caguas, Puerto Rico; Civilian Art Projects, Washington DC, and<br />
Lawndale Art Center, Houston, TX. Before coming to Michigan, Lily was<br />
a Core Fellow at the Museum of Fine Arts Houston where she was awarded<br />
the Meredith Long Prize.<br />
<a href="http://lilycoxrichard.com/" target="_blank">http://lilycoxrichard.com/</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Paintings | Aliza Nisenbaum</strong> (New York), <strong>Deirdre O’Dwyer</strong> (New York), <strong>+ Kelly</strong><br />
<strong>Williams</strong> (Nashville)<br />
Aliza Nisenbaum, Deirdre O&#8217;Dwyer, and Kelly Williams met in Chicago,<br />
in the early aughts. In a recent catalogue essay on Aliza&#8217;s paintings,<br />
Deirdre writes: &#8220;I remember an evening the summer before I left<br />
Chicago, when we were sitting on the front stoop of our place, talking<br />
to our friend Kiki, playing a game about what type of person our<br />
paintings would be (clearly not ourselves). Back then we were fresh<br />
out of school and still thought we could reduce ourselves to painting<br />
a certain statement, in iteration. We thought of ourselves as<br />
recognizable. I still think of paintings as characters, objects to<br />
converse with in perpetuity. I grow chattier.&#8221; For Poor Farm 2011, the<br />
three resume their conversation about misrecognition and<br />
identification and painting and character, with three new paintings,<br />
one a piece each.</p>
<p>Aliza Nisenbaum was born in Mexico City in 1977 and currently lives in<br />
Brooklyn, NY. Completing studies at the Universidad Iberoamericana in<br />
Mexico City, MFA, and BFA degrees from the Art Institute of Chicago.<br />
She currently teaches at Purchase College in NY and has taught at the<br />
University of Chicago, and Northwestern Universities. Her work has<br />
been shown internationally, with a recent solo show in 2011 at Julius<br />
Caesar gallery in Chicago. Deirdre O&#8217;Dwyer was born in Milford,<br />
Delaware in 1978, and presently lives and works in New York City. Her<br />
work has been exhibited internationally, with solo shows at Five Years<br />
in London and Julius Caesar in Chicago. She was the Starr Fellow at<br />
the Royal Academy of Arts in London in 2007–2008, received her MFA<br />
from the School of the Art Institute of Chicago in 2006, and her BA<br />
from Harvard University in 2000, where she studied art history. Kelly<br />
Williams met Aliza and Deirdre while earning an MFA in painting and<br />
drawing from the School of the Art Institute of Chicago. She also<br />
holds a BA from Vassar College, and attended Yale&#8217;s Norfolk Summer<br />
School for Art and Music in 1998. Kelly Williams currently lives and<br />
works in her hometown of Nashville, Tennessee.<br />
<a href="http://juliuscaesarchicago.com/aliza.html" target="_blank">http://juliuscaesarchicago.com/aliza.html</a><br />
<a href="http://juliuscaesarchicago.com/deirdre.html" target="_blank">http://juliuscaesarchicago.com/deirdre.html</a><br />
<a href="http://www.artsnashville.org/registry/?scan=az&amp;main=artist&amp;id=90" target="_blank">http://www.artsnashville.org/registry/?scan=az&amp;main=artist&amp;id=90</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>The Norther Forrest Brotherhood </strong>( Wink and Nod )<strong> | Bruce Tapola</strong> (St. Paul) <strong>+ David Dunlap</strong> (Iowa City)<br />
The Shack of The Northern Forrest Brotherhood first arose as The Moon<br />
Hotel, Havana, Cuba, October / November, 1958.  In 1980, seemingly<br />
overnight, it arose a second time, rising up from the bits and pieces<br />
of a sculpture yard.  It was next The Tower Too Tall, Five Stories Too<br />
Tall, Made Small, Walnut Farms ( 2002 ).  It resurrected at White<br />
Columns, NYC, 2007, then reresurrected at The Cue Foundation, NYC<br />
(thanks to the Reeder Brothers) in 2010.  Now, here, at the Poor Farm<br />
with a Wink and a Nod, with a Splinter from the True Shack, it washes<br />
ashore, first as Jetsam, now as Flotsam.</p>
<p>Bruce Tapola is a Waylon Jennings enthusiast living in St. Paul,<br />
Minnesota. David Dunlap is an artist and is a professor at the<br />
University of Iowa where he lives and works.<br />
<a href="http://www.rubennusz.com/Art/text/Entries/2010/3/16_Exchange__A_conversation _with_Bruce_Tapola.html" target="_blank">http://www.rubennusz.com/Art/text/Entries/2010/3/16_Exchange__A_conversation<br />
_with_Bruce_Tapola.html</a><br />
<a href="http://www.rubennusz.com/Art/text/Entries/2010/3/16_Exchange__A_conversation _with_Bruce_Tapola.html" target="_blank">http://www.cueartfoundation.org/david-dunlap.html</a><br />
<strong> </strong></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Lazy River, Show Me Your Rafts | Richard Galling </strong>(Milwaukee) <strong>+ John Riepenhoff</strong> (Milwaukee)<br />
The clear water, gentle rapids, and breathtaking scenery of the Little<br />
Wolf River make DIY tubing a fun and relaxing recreational activity<br />
for all artists. Make or alter your own raft or floating device and<br />
join us for a group float down the Little Wolf River. A committee will<br />
give out awards for: largest scale, smallest carbon footprint, most<br />
transformative use of materials, and accommodation of most passengers.</p>
<p>Rafts will be launched on Saturday at 2pm. Stop for a swim at one of<br />
the smooth sandy spots or stay in your tube and relax. Allow the river<br />
to take you on a leisurely trip back to the Poor Farm. Participating<br />
artists can choose to build their rafts beforehand or bring supplies<br />
to make their floating devices on site.</p>
<p><strong>Smooth and Sandy Sessions</strong><br />
Join us for evening hours of music listening including sets by<br />
acclaimed DJs:<br />
<strong>Weather Channel</strong><br />
<strong>Richard Richard</strong><br />
<strong>Frank Frank</strong><br />
<strong><em>and others</em></strong></p>
<p>John Riepenhoff is an artist, curator, gallery director, art fair co-<br />
organizer and inventor of artistic platforms for the expression of<br />
others. Riepenhoff opened the Green Gallery while still an<br />
undergraduate at the University of Wisconsin-Milwaukee. His first solo<br />
show, Group Show, took place in 2010 at the Jackpot Gallery in<br />
Milwaukee, and his work and projects have been presented at the Tate<br />
Modern and Frieze Art Fair (London); Gavin Brown’s Enterprise and the<br />
Swiss Institute (New York); Angstrom Gallery and Ooga Booga (Los<br />
Angeles); Tokyo 101 Art Fair (Tokyo); Kölnischer Kunstverein<br />
(Cologne); Karma International (Zurich); Fredric Snitzer Gallery<br />
(Miami); The Suburban (Oak Park, Illinois); Sullivan Galleries, School<br />
of the Art Institute of Chicago and Western Exhibitions (Chicago);<br />
Madison Museum of Contemporary Art; Milwaukee Art Museum,  Inova,<br />
Lynden Sculpture Garden (Milwaukee). Most recently, he opened a meta-<br />
gallery at Pepin Moore in Los Angeles, where he is regularly<br />
programming a John Riepenhoff Experience. Richard Galling is a<br />
painter, music producer, and DJ.  Galling received his BFA at Art<br />
Center College of Design and MFA at Yale University.  He has recently<br />
exhibited at D-Block, Los Angeles; The John Riepenhoff Experience in<br />
Pepin Moore Gallery, Los Angles; Green Gallery West, Milwaukee;<br />
Ebersmoore, Chicago; and Bentley Projects, Phoenix.<br />
<a href="http://www.thegreengallery.biz/">http://www.thegreengallery.biz/</a></p>
<p>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</p>
<p><strong>Alexander Herzog (Chicago)</strong><br />
Created at the Poor Farm this summer in between work on tearing down walls and raising steel beams, these paintings begin with spontaneous hand-made gestures.  Further revealed by subtractive processes, the gesture becomes more of an image, frozen into a precisely-rendered monochromatic field held within four edges.</p>
<p>Alexander Herzog&#8217;s painting practice centers on aspects of Spatialism, challenging perspective and visually dislocating clear understanding of line.  With somewhat the same intention as traditional handling of Chiaroscuro within a &#8220;window space,&#8221; his manipulation of light and dark values depicts illusionary space by a different method.  His process of conceptural tension creates play between a series of images without setting a cohesive narrative.<br />
<a href="mailto:pictureherzog@yahoo.com">pictureherzog@yahoo.com</a></p>
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<p><strong>Rose DiSalvo (Chicago)</strong><br />
<em>Raising Barn</em><br />
This work is a group of paintings of textures, objects and spaces at the Poor Farm that have or will soon undergo transformation in the restoration process. It is a portrait of a place in stages of transition.</p>
<p>Rose DiSalvo’s work images the construction of identity of places from travels and memory. Individual vignettes form a part of a whole piece, linking together a contour of space and time. The paintings combine the genres of history and portraiture within abstraction and representation.<br />
<a href="http://www.rosedisalvo.com/">www.rosedisalvo.com</a></p>
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<p><strong>Alex Jovanovich (New York) + Nicole Perez (Chicago)</strong><br />
Lately we haven&#8217;t been feeling very optimistic, so our collaborative works for the Poor Farm this season reflect this. No matter how bad things get, however, we both very fervently believe that creating art has the power to make the sundry burdens of life&#8230;well, less burdensome.</p>
<p>So here we offer some &#8220;inspirational&#8221; posters, based on our current state of disenchantment. They&#8217;re pretty funny. We hope you like them.</p>
<p>Nicole Pérez was born in New Orleans in 1969, spent her teen years in ugly west Texas, and has called Chicago her home for the past 22 years. Her first solo show in Chicago was at The Bike Room’s inaugural exhibition this July 2011. Nicole received her MFA from the School of the Art Institute of Chicago in 2006, and her BFA from the School of the Art Institute of Chicago in 2004. <a href="http://www.nancylurosenheim.com/the-bike-room/nicole-perez/"></a><br />
<a href="http://www.nancylurosenheim.com/the-bike-room/nicole-perez/">www.nancylurosenheim.com/the-bike-room/nicole-perez/</a></p>
<p>Alex Jovanovich is an artist who lives in New York.</p>
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<p><strong>MIKE GRABNER</strong> (Appleton) and <strong>TOM KOLOSSO</strong> (Manawa)<br />
August 13-21, 2011</p>
<p>Work by two local wildlife artists</p>
<p>&nbsp;</p>
<p><strong><img class="alignleft size-full wp-image-367" title="Poor Farm" src="http://poorfarmexperiment.org/wp-content/uploads/2011/07/PF-misc.jpg" alt="" width="211" height="199" />The Poor Farm</strong><br />
<a href="http://poorfarmexperiment.org/">http://poorfarmexperiment.org/</a><br />
E6325 County Highway BB<br />
Manawa, WI 54949</p>
<p>Contact: <strong>Michelle Grabner</strong><br />
708-305-2657<br />
<a href="mailto:mgrabner@saic.edu">mgrabner@saic.edu</a></p>
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		<title>PROGRAM &#124; All Over The Map</title>
		<link>http://poorfarmexperiment.org/2011/07/all-over-the-map/</link>
		<comments>http://poorfarmexperiment.org/2011/07/all-over-the-map/#comments</comments>
		<pubDate>Sat, 09 Jul 2011 18:47:51 +0000</pubDate>
		<dc:creator>Poor Farm</dc:creator>
				<category><![CDATA[PROGRAM]]></category>

		<guid isPermaLink="false">http://poorfarmexperiment.org/?p=329</guid>
		<description><![CDATA[All Over The Map &#124; A Festschrift Exhibition honoring Moira Roth All Over The Map A Festschrift Exhibition honoring Moira Roth was a year-long exhibition honoring the extraordinary work of this London-born, California-based art historian, poet, and artist (moiraroth.com). The exhibition is culled from a weekend-long event of both formal and impromptu installations and performances [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-294" style="margin: 0px 10px 10px 0pt;" title="programs1" src="http://poorfarmexperiment.org/wp-content/uploads/2011/07/programs1.jpg" alt="" width="209" height="197" /><strong>All Over The Map | A Festschrift Exhibition honoring Moira Roth</strong></p>
<p><strong><em>All Over The Map</em></strong> A Festschrift Exhibition honoring Moira Roth was a year-long exhibition honoring the extraordinary work of this London-born, California-based art historian, poet, and artist (<a href="http://moiraroth.com/" target="_blank">moiraroth.com</a>). The exhibition is culled from a weekend-long event of both formal and impromptu installations and performances that took place at the Poor Farm in July 2010.</p>
<p>&nbsp;</p>
<p><strong><em>All Over The Map</em></strong> featured artworks, installations, artifacts, and collections around the themes of memory and history, and the mapping of time and space. It included works and artifacts by Claudia Bernardi, Robert Smithson, Nancy Holt, Allan Kaprow, Faith Ringold and many others. There was also a series of exhibitions curated by Moira Roth and Annika Marie: among them, In Memory of The Poor Farm: Fragments of a History and Remembering the American/Vietnam War.</p>
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		<title>PROGRAM &#124; Great Poor Farm Experiment 1, 2, 3 (2009 , 2010, 2011)</title>
		<link>http://poorfarmexperiment.org/2010/07/great-poor-farm-experiment-1-and-2-2009-2010/</link>
		<comments>http://poorfarmexperiment.org/2010/07/great-poor-farm-experiment-1-and-2-2009-2010/#comments</comments>
		<pubDate>Wed, 14 Jul 2010 17:18:37 +0000</pubDate>
		<dc:creator>Poor Farm</dc:creator>
				<category><![CDATA[PROGRAM]]></category>

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		<description><![CDATA[Under the banner of the Great Poor Farm Experiment, artists from all over the world have completed a wide variety of projects as well as having been represented in exhibitions, performances and texts at Poor Farm. Guiluamme Leblon (Paris) Chris Sperandio (Houston ) Moira Roth (San Francisco) David Dunlap (Iowa City) + Bruce Tapola (St. [...]]]></description>
			<content:encoded><![CDATA[<p><strong></strong>Under the banner of the Great Poor Farm Experiment, artists from all  over the world have completed a wide variety of projects as well as  having been represented in exhibitions, performances and texts at Poor  Farm.</p>
<p>Guiluamme Leblon (Paris)<br />
Chris Sperandio (Houston )<br />
Moira Roth (San Francisco)<br />
David Dunlap (Iowa City) + Bruce Tapola (St. Paul)<br />
Yvette Brackman (Copenhagen)<br />
Simon Ingram (Wellington)<br />
Duncan MacKenzie (Chicago) + Christian Kuras (London)<br />
Lily Cox-Richard (Ann Arbor MI)<br />
Linda Nochlin (New York)<br />
Summer School (Minneapolis/St. Paul)<br />
Keil Borrman (New York)<br />
Diego Leclery’s (Chicago)<br />
Stephen Perkins (Green Bay)<br />
Gerold Miller (Berlin)<br />
Mike Andrews (Chicago)<br />
Stan Shellabarger + Dutes Miller (Chicago)<br />
Yogi Procter (Los Angeles)<br />
Paul Druecke (Milwaukee)<br />
John Neff (Chicago)<br />
Nicholas Frank (Milwaukee)<br />
Olivier Mosset, (New York/ Santa Fe)<br />
David Robbins (Milwaukee)<br />
Shane Aslan Selzer (Brooklyn)<br />
Milwaukee International (Milwaukee)<br />
Philip Vanderhyden (New York)<br />
Stephen Berens (Los Angeles)<br />
Zachary Cahill (Chicago)<br />
Amy Park (New York)<br />
Kimberly Miller (Milwaukee)<br />
Cip Contreras (Nashville)<br />
Stephanie Barber (Baltimore)<br />
Matthew Girson (Chicago)<br />
Aaron Van Dyke (St. Paul)<br />
Shane Huffman (Chicago)<br />
Pedro Velez (Chicago)<br />
Heather Mekkelson (Chicago)<br />
Sabina Ott (Chicago)<br />
Doug Ischar (Chicago)<br />
Modesto Covarrubias (San Francisco)<br />
David Horvitz (San Francisco)<br />
Mary Jane Jacob (Chicago)<br />
Suzanne Lacy (Los Angeles)<br />
Dinh Q. Le (New York)<br />
Janet Kaplan (Philadelphia)<br />
Annika Marie (Chicago)<br />
Chuck Mobley (San Francisco)<br />
Pauline Oliveros (New York)<br />
Slobodan Dan Paich (San Francisco)<br />
Faith Ringgold (New York)</p>
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